Reflections on Flight Recorder from Viking 7

I’m a Matthew Good fan. Not a super fan, mind you; I don’t know what he ate for breakfast last Tuesday or anything like that, but I enjoy his work. I find both his music and lyrics thoughtful and provoking. Although he’s had a lot of commercial success, I find myself drawn more to his songs that don’t necessarily get airplay. I was listening to some Matt Good the other day when I came across one such song that, for reasons I’m not quite sure, hit me emotionally in a way I hadn’t noticed before. The song is Flight Recorder from Viking 7 and it begins with a repeating pulse and the sound of Matt breathing erratically as if he’s running out of oxygen. The melody is haunting and the instrumentation is sparse and gives a sense of isolation and decay, both mechanical and biological.

From what I can find, there has never been a Viking 7 spacecraft. Vikings 1 and 2 were Mars orbiters that were launched in the 1970s, so I’m assuming that Viking 7 is a fictional craft, possibly a deep space probe or ship; perhaps a ship that was launched and subsequently forgotten after such a long time out. The interesting thing is this craft wouldn’t necessarily need to be manned. When I listen to this song I can hear the voice of an astronaut that’s recording his personal, and quite probably final thoughts; but I can just as easily imagine an unmanned probe, albeit a sentient probe, that’s reflecting on its own “thoughts” as it sails through cold space. The one obvious clue, of course, is the sound of laboured breathing which adds another dimension for me. The sound of breathing reminds me of an episode of Skeptoid that investigated recordings that purport to be the sounds of lost Soviet cosmonauts. Regardless if the recordings are what they report to be, they are eerie and bring to mind feelings of confinement, isolation and decay. I also think back to a scene in the movie, The Abyss, where Michael Biehn’s character is trapped in a damaged submersible and is falling into a deep trench. There’s one point when the window of the submersible starts to crack and Biehn’s eyes widen as he reaches out in an act of pure instinct and desperation. What seals it for me is that Biehn doesn’t make a sound; no screaming, no shouting, just silence.

These feelings: confinement, isolation and decay have created a narrative in my mind about a spaceship that has passed out of collective memory. This imagined vessel had been designed, built, and launched with the efforts of a dedicated team. There was much fanfare on the day of the launch as onlookers sat with their picnic lunches waiting outside the launch site, waiting for the countdown. There was a frenzy of posts on social media as Tweets, Posts, Likes, and Instagrams were traded back and forth. This was to be a long mission, testing the boundaries of what we had reached with space travel. It seemed as though much of the planet was supporting this endeavor, even if it was token support, as we are used to these days. That was a long time ago. I’m not sure how long; but how long does it really take for anything to pass from our radar these days? The ship continued to broadcast across the vast ocean of space, but only a select few were now paying attention as they logged their reports, some of them wondering why they were still bothering as no one seemed to care anymore. There was at least one who remembered. She was a young girl at the time and she remembered the day of the launch and the promise it held. She was one of the few who continued to wonder through the passing of years what became of Viking 7:

And I wonder, where have you gone. And I wonder, what have you done.

Then one day, the transmissions stopped. At first, no one noticed. In fact, they had to sift through lines and lines of data to discover when exactly Viking 7 had sent its last transmission. No one had even bothered to create an alarm to notify those on Earth when their jewel of deep space discovery had finally ceased to shine. When they did recover the data, they discovered a final log entry, which became the lyrics to the song, Flight Recorder from Viking 7.

Anyway, that’s my story and I’m sticking to it.

The Ungood Ukulele Player – My Heart

For Mother’s Day I am posting a song that I named in honour of my wife, Allison.

It is for all that she does for me and our family. It is for her patience and love. It is for being there through the good times and the not so good times (though the good greatly outnumber the not so good). It is for the mere fact that it’s the only song I’ve come up with so far that she’s told me she likes.

Happy Mother’s Day, my heart.

The power of the ukulele compels you

This past June I received some birthday money from my parents. As usual, it took some time to decide what to use the money for, but ultimately I settled on a ukulele. Yes; a ukulele. Some months prior, I had been talking with some coworkers about the ukulele. Seems a number of them owned one, including one of our managers who occasionally walks around the library strumming away on his. I have some experience with musical instruments; I took piano lessons for several years in elementary, as well as cello for a year in grade three. Not much had come of either of these as a lacked the requisite skill and/or dedication to become proficient in either. In the years since I have frequently desired to pick up an instrument and learn how to play it, but I had never got around to it. Now with birthday money burning a hole in my pocket, I decided to pick up a ukulele for myself. I visited Myher’s Music, a local music shop that’s been operating in Edmonton since the mid-Sixties. I felt it would be nice to patronize a local business, and besides, I was bringing in my great-uncle’s guitar with the hope of getting it repaired. Alas, the guitar was beyond repair, but I did leave with a delightful soprano Koyama Iceberg series. Now what do I do?

As it turns out, I have become somewhat obsessed with it. Granted, it’s a select type of obsession. Where some manifest their obsession through intense study and diligent, methodical application of theory, I borrowed a ukulele book from the library (yes, it was Ukulele for Dummies), and I started to skim through the section on basic chords and easy tunes. This was supplemented by watching one or two videos on YouTube. Once I had a couple of tunes somewhat figured out, I proceeded to intensely, diligently, and methodically piss around with the instrument. I soon found it quite simple to come up with my own tunes; in fact I found it much easier than learning established ones. The result has been a summer filled with idle strumming and tinkering with various combinations of a select few chords (the ones I am able to successfully manage on the fretboard). An added result, and one that I am quite surprised at, is the sense of personal achievement I have gained from playing my ukulele. I enjoy playing my songs over and over, making subtle changes along the way. Quite often when I have five minutes here or there I will pick up my ukulele and just start strumming. As a matter of fact, there has been several times over the summer when I have thought about working on this blog, only to be pulled away by the siren call of my ukulele. I am by no means proficient, skilled, talented, particularly competent, or any number of similar adjectives; but when I am playing I feel a sense of contentment as I focus on the music.

I am thankful that my wife has suffered me to continue with this diversion, though I am sure she has long since past the point of enjoying the sound of what I think I can accurately describe as broken English on the ukulele. Maybe one day I’ll learn proper tunes. Maybe one day I’ll pick up a guitar.

My ukulele on a blue chair
My ukulele on a blue chair