Reflections on Flight Recorder from Viking 7

I’m a Matthew Good fan. Not a super fan, mind you; I don’t know what he ate for breakfast last Tuesday or anything like that, but I enjoy his work. I find both his music and lyrics thoughtful and provoking. Although he’s had a lot of commercial success, I find myself drawn more to his songs that don’t necessarily get airplay. I was listening to some Matt Good the other day when I came across one such song that, for reasons I’m not quite sure, hit me emotionally in a way I hadn’t noticed before. The song is Flight Recorder from Viking 7 and it begins with a repeating pulse and the sound of Matt breathing erratically as if he’s running out of oxygen. The melody is haunting and the instrumentation is sparse and gives a sense of isolation and decay, both mechanical and biological.

From what I can find, there has never been a Viking 7 spacecraft. Vikings 1 and 2 were Mars orbiters that were launched in the 1970s, so I’m assuming that Viking 7 is a fictional craft, possibly a deep space probe or ship; perhaps a ship that was launched and subsequently forgotten after such a long time out. The interesting thing is this craft wouldn’t necessarily need to be manned. When I listen to this song I can hear the voice of an astronaut that’s recording his personal, and quite probably final thoughts; but I can just as easily imagine an unmanned probe, albeit a sentient probe, that’s reflecting on its own “thoughts” as it sails through cold space. The one obvious clue, of course, is the sound of laboured breathing which adds another dimension for me. The sound of breathing reminds me of an episode of Skeptoid that investigated recordings that purport to be the sounds of lost Soviet cosmonauts. Regardless if the recordings are what they report to be, they are eerie and bring to mind feelings of confinement, isolation and decay. I also think back to a scene in the movie, The Abyss, where Michael Biehn’s character is trapped in a damaged submersible and is falling into a deep trench. There’s one point when the window of the submersible starts to crack and Biehn’s eyes widen as he reaches out in an act of pure instinct and desperation. What seals it for me is that Biehn doesn’t make a sound; no screaming, no shouting, just silence.

These feelings: confinement, isolation and decay have created a narrative in my mind about a spaceship that has passed out of collective memory. This imagined vessel had been designed, built, and launched with the efforts of a dedicated team. There was much fanfare on the day of the launch as onlookers sat with their picnic lunches waiting outside the launch site, waiting for the countdown. There was a frenzy of posts on social media as Tweets, Posts, Likes, and Instagrams were traded back and forth. This was to be a long mission, testing the boundaries of what we had reached with space travel. It seemed as though much of the planet was supporting this endeavor, even if it was token support, as we are used to these days. That was a long time ago. I’m not sure how long; but how long does it really take for anything to pass from our radar these days? The ship continued to broadcast across the vast ocean of space, but only a select few were now paying attention as they logged their reports, some of them wondering why they were still bothering as no one seemed to care anymore. There was at least one who remembered. She was a young girl at the time and she remembered the day of the launch and the promise it held. She was one of the few who continued to wonder through the passing of years what became of Viking 7:

And I wonder, where have you gone. And I wonder, what have you done.

Then one day, the transmissions stopped. At first, no one noticed. In fact, they had to sift through lines and lines of data to discover when exactly Viking 7 had sent its last transmission. No one had even bothered to create an alarm to notify those on Earth when their jewel of deep space discovery had finally ceased to shine. When they did recover the data, they discovered a final log entry, which became the lyrics to the song, Flight Recorder from Viking 7.

Anyway, that’s my story and I’m sticking to it.

The power of the ukulele compels you

This past June I received some birthday money from my parents. As usual, it took some time to decide what to use the money for, but ultimately I settled on a ukulele. Yes; a ukulele. Some months prior, I had been talking with some coworkers about the ukulele. Seems a number of them owned one, including one of our managers who occasionally walks around the library strumming away on his. I have some experience with musical instruments; I took piano lessons for several years in elementary, as well as cello for a year in grade three. Not much had come of either of these as a lacked the requisite skill and/or dedication to become proficient in either. In the years since I have frequently desired to pick up an instrument and learn how to play it, but I had never got around to it. Now with birthday money burning a hole in my pocket, I decided to pick up a ukulele for myself. I visited Myher’s Music, a local music shop that’s been operating in Edmonton since the mid-Sixties. I felt it would be nice to patronize a local business, and besides, I was bringing in my great-uncle’s guitar with the hope of getting it repaired. Alas, the guitar was beyond repair, but I did leave with a delightful soprano Koyama Iceberg series. Now what do I do?

As it turns out, I have become somewhat obsessed with it. Granted, it’s a select type of obsession. Where some manifest their obsession through intense study and diligent, methodical application of theory, I borrowed a ukulele book from the library (yes, it was Ukulele for Dummies), and I started to skim through the section on basic chords and easy tunes. This was supplemented by watching one or two videos on YouTube. Once I had a couple of tunes somewhat figured out, I proceeded to intensely, diligently, and methodically piss around with the instrument. I soon found it quite simple to come up with my own tunes; in fact I found it much easier than learning established ones. The result has been a summer filled with idle strumming and tinkering with various combinations of a select few chords (the ones I am able to successfully manage on the fretboard). An added result, and one that I am quite surprised at, is the sense of personal achievement I have gained from playing my ukulele. I enjoy playing my songs over and over, making subtle changes along the way. Quite often when I have five minutes here or there I will pick up my ukulele and just start strumming. As a matter of fact, there has been several times over the summer when I have thought about working on this blog, only to be pulled away by the siren call of my ukulele. I am by no means proficient, skilled, talented, particularly competent, or any number of similar adjectives; but when I am playing I feel a sense of contentment as I focus on the music.

I am thankful that my wife has suffered me to continue with this diversion, though I am sure she has long since past the point of enjoying the sound of what I think I can accurately describe as broken English on the ukulele. Maybe one day I’ll learn proper tunes. Maybe one day I’ll pick up a guitar.

My ukulele on a blue chair
My ukulele on a blue chair

Craicmonkey’s Storytime Delights #7

It’s time for Craicmonkey’s Storytime Delights, the Musical Edition!

I enjoy getting the children involved in my storytimes, and there’s nothing like a song to liven things up. These books are great for opening up the floor to audience participation; and even if they don’t end up singing along, you can still get a smile from them as you ham it up and grove out on your own.

Today Is Monday by Eric Carle

Who’s hungry? Well Eric Carle’s got a whole bunch of animals, with very specific diets and feeding schedule, ready to tell you about their food. Today Is Monday takes children through the days of the week and introduces a different food item to go with them. String beans are on Monday, spaghetti is on Tuesday, and on Wednesday we get zooop (soup). While this can be read straight through, there is a tune that accompanies the text, which is printed on the last page of the book, along with an adaptation of the text in verse form.

As always, the vibrant signature illustrations of Carle are a feast for the eyes, but this story also gives children a great opportunity to participate in song. My daughter’s kindergarten class had performed this song as a chorus, but I’ve also simplified it in my storytimes by having the children belt out, “Come and eat it up!” whenever I prompt them with the preceding, “All you hungry children…”

Pete the Cat: I Love My White Shoes by Eric Litwin

Pete the Cat loves his white shoes; loves them so much that he sings a song about them as he walks down the street. Unfortunately, Pete happens upon several obstacles that threaten to stain his beautiful white shoes. Raspberries! Blueberries! Mud! Oh, no! Pete’s white shoes are no longer white, but does Pete cry? Goodness, no! Nothing is going to stop Pete from walking along, singing his song.

This simple, yet positive story is filled with groovy illustrations by James Dean, and is punctuated by Pete’s catchy song that is easy for children to pick up on. Best of all, the story ends with a great moral about resilience when dealing with life’s little mucks. “It’s all good.”

Hand, Hand, Fingers, Thumb by Al Perkins

Alright, even though the other two books have simple melodies that are forgiving, even to the tonally impaired, you may still be hesitant to let your inner vox shine. No problem; as long as you can keep the beat, there’s Hand, Hand, Fingers, Thumb.  While there’s no tune to this story it does have an infectious beat. Drum, clap, or simply bop along to the many monkeys, with their many fingers, and many drums in this boom-bastic book.

A classic from 1969, this book is fun to share with large groups, especially if you have enough drums to go around; and if you’re short on instruments, they can still clap, stomp, or even try out a little beatboxing to spice things up. “Dum ditty, Dum ditty, Dum dum dum.”

Enjoy the Silence, In which I faithfully pursue the Policy of Truth

I’m no good at “desert island” lists. I do enjoy reading other’s lists, and I will happily scavenge off of their choices, “Ooo! I like that one! Oh, I completely forgot about that one, nice!” However, if given the task to compile a list of ten albums to bring with me to a hypothetical island in the middle of a hypothetical body of water, with little chance of a hypothetical vessel spotting me for an undertermined, but let’s say, hypothetically, extended length of time, then I would have difficulty. Not for lack of choice, of course, but rather it all comes down to the editing process. I would only have chosen six before I’d start feeling compelled to edit the ones already on the list.

What’s that? I can only bring five! Argh! No, no. I’m not complaining, really, it’s just that… What? I can only bring one now? Well, that’s simple! Violator by Depeche Mode. There.

It’s been a while since I had listened to Violator but a couple of weeks ago I started listening to it again on the bus, on my breaks, doing the dishes, and I discovered once again what I already knew; I love this album, but not just for the music.

Violator came out in 1990. I was in grade 10 at the time and I was in my own little world. My previous years in junior high were, to say the least, brutal. I didn’t fit in at all. I wasn’t smart enough for the geeks, stylish enough for the preps, athletic enough for the jocks, hardcore enough for the metal heads, talented enough for the artists, and I couldn’t ride a skateboard to save my life. I didn’t own anything with Club Monaco, Airwalk, or Levis labels. Overweight, under-height, and adrift on an ocean populated by island cliques with no port-of-call in which to drop anchor. I pretty much hated my life. With these glorious years fresh in my psyche, I was now in my first year of high school. It was a chance to start fresh, and in many ways it did get better; yet there was a residue of pain and loneliness that refused to leave completely.

Up to this point, I didn’t really listen to Depeche Mode, although I was familiar with some of their work just by way of radio play. In fact, I don’t remember what was behind my decision to purchase the album (read: cassette tape); most likely videos on MuchMusic (ah, the good old days when there were videos on MuchMusic). Anyway, I now had my own personal edition of Violator and I was smitten. No, that’s not the right term. I was not smitten because this was not an album that I played over and over for the sake of it, nor was it one to be frittered away whimsically as a simple means to “pop in some tunes.” No, this was my special music. This was part of my escape. This is the album I would listen to as I sat on my bed and read my comics. I spent a lot of time by myself, and a lot of that alone time was spent in my room. There I could forget about my physical self, which I wasn’t all that pleased with, and lose myself in thought. I would imagine myself as a different person, usually dark and brooding, yet this alternate me would have talent and skill and charm that the real me was lacking. I would dream up scenarios, adventures, really cool dialogue. Often my fantasies involved something that had happened to me that very day, only this version had me at my best. No, not even me but Alternate Me, because even at my best, I still couldn’t hope to be as awesome as Alternate Me on any given day. When I wasn’t recreating my day in my imagination, I was reading my comics. Even now, when I listen to Violator, I immediately envision my meager collection: Cholly & Flytrap, Nightbreed, Fafhrd and Grey Mouser, Spider-Man, X-Men, I Am Legend. I was by no means a hardcore collector by any stretch of the imagination, nevertheless I loved to read my editions over and over again, and more times than not, I would have Depeche Mode playing in the background; or perhaps Enya, but that’s a story for another day.

While I enjoy listening to all the tracks, save one; “Blue Dress” was never to my liking and I found it annoying that it was the second to last track on the album so I would have to skip it just to get to “Clean” which definitely was to my liking; my favourite track, quite possibly my favourite song, period, is “Policy of Truth,” and when you pair it up with the previous track, “Enjoy the Silence,” it’s very near perfection; shame about that “Blue Dress” coming right after it. I love  this album, (almost) every track resonates emotionally with me, for example, “Personal Jesus.” When I first heard this song, I wasn’t sure what to make of it, but I did know one thing, I felt somewhat uncomfortable whenever I listened to it. It wasn’t until years later that I could make some sense of these feelings. I don’t believe in a god, even when I was younger I didn’t really believe. However, I was raised Roman Catholic and so I was inherently aware that the name, Jesus, was afforded a certain amount of power; so much so that anytime I heard the name outside of a church or other similarly sanctioned setting, I felt uneasy. Even now, as an adult, I still get a flash of that same feeling that I can only approximate with the label, “guilt,” though I don’t quite think that is it exactly, when I listen to “Personal Jesus.” I will admit it causes me to skip this track from time to time.

I’ve listened to the majority of Depeche Mode’s work and for the most part I enjoy it, but for me Violator remains, to quote track number two, “The Sweetest Perfection.” It’s more than just the music, but rather the combination of emotions and memories that the music elicits every time I listen to it. While this album no longer carries with it the listening restrictions it once had back in high school, I will nevertheless only listen to it if I’m in a particular mood; but then, I guess that’s the case with any great album. When I listen to this album, I am instantly transported back to my room, where I sit upon my bed, my comics spread around me; maybe today I have Jon J. Muth’s Dracula: a symphony in moonlight and nightmares open before me with its sensual watercolour illustrations drawing me into its depths.

Violator will ever be the “Halo” I am drawn toward when I am “Waiting for the Night.”

Funny how music can do that.

The sweetest perfection

Confessions of a reluctant runner. Part 7.1, The RUN! Playlist

I’ve done some final tweaking before the big run and I’ve compiled my RUN! playlist. Here are the tracks, in random order. There’s over six hours of music here, that should be enough. Damn it! It had better be enough!

D’you know what I mean – Oasis

All that we perceive – Thievery Corporation

Days go by – Dirty Vegas

Under the influence – Matthew Good Band

Jenny was a friend of mine – The Killers

Us remains impossible – Matthew Good

Mexican dogs – Cold War Kids

Let’s get it on – Matthew Good Band

The game has changed – Daft Punk

Zombie – The Cranberries

Everybody’s fool – Evanescence

Map of the problematique – Muse

Wrong – Depeche Mode

Talk her down – Starsailor

Mercy in you – Depeche Mode

Way to fall – Starsailor

Tranquilize – The Killers

Out of line – The Bravery

Derezzed – Daft Punk

Shoplifters of the world unite – The Smiths

Synthesizer – Electric Six

World in my eyes – The Cure

You Bruise – Death Cab for Cutie

Get down Moses – Joe Strummer

Washed away – Morcheeba

A punch up at a wedding – Radiohead

In our gun – Gomez

At the hundredth meridian – The Tragically Hip

Counterfeit life – Starsailor

Un simple histoire – Thievery Corporation

Bring me to life – Evanescence

I am the man – Philosopher Kings

Bombtrack – Rage Against the Machine

Advertising on police cars – Matthew Good Band

Your cover’s blown – Belle and Sebastian

Take me out (Daft Punk Remix) – Franz Ferdinand

Tron Legacy end titles – Daft Punk

The outernationalist – Thievery Corporation

Going under – Evanescence

Acrobat – U2

Neighbourhood #3 (Power out) – The Arcade Fire

Sledgehammer – Peter Gabriel

Dear Mr. President – Fitz & The Tantrums

Useless – Depeche Mode

Bodyrock – Moby

Dirty Harry – Gorillaz

Cordelia – The Tragically Hip

Policy of truth – Dishwalla

Precious – Depeche Mode

The loneliness of a middle distance runner – Belle and Sebastian

In your room – Depeche Mode

Failing the Rorschach Test – Matthew Good Band

Somebody told me – The Killers

Tie up my hands – Starsailor

Lose yourself – Eminem

Left right – The Chemical Brothers

Reckoner – Radiohead

Digging deep – Jackalope

Patrol (The Chemical Brothers remix) – Charlatans

Disc wars – Daft Punk

Enjoy the ride – Morcheeba

Invasion 1 – Matthew Good Band

Gimme Shelter – The Rolling Stones

Warning shots – Thievery Corporation

Solid ground – Ginger

There’s no other way – Blur

There there – Radiohead

Prime time deliverance – Matthew Good Band

Locked in the trunk of a car – The Tragically Hip

Fly on the windscreen – Depeche Mode

Know your enemy – Rage Against the Machine

The ledge beyond the edge – Morcheeba

Empty’s theme park – Matthew Good

Politik – Coldplay

Alligator pie – Dave Matthews Band

How soon is now? – The Smiths

Until the end of the world – U2

Taking over me – Evanescence

Volcanoes – Matthew Good

Breaking into heaven – The Stone Roses

Galvanize – The Chemical Brothers

End of line – Daft Punk

Love spreads – The Stone Roses

The chemicals between us – Bush

15 steps – Radiohead

There it is. If you were to make your own RUN! playlist, what would it look like?